Italy coast

Italy coast - Forte dei Marmi

Surf’s up
At the Pontile, biting salt spray and crashing waves, walls of water, barrels and riptides: riding the giants, dreamin’ California… Forte dei Marmi’s sea like you never seen it: the best place in the world to be. In the tube.
It’s said that caution is a natural human mechanism. Caution, not cluck. And maybe this dualistic thought caution vs fear is what runs through the mind of the surfer riding the Versilia waves.

On that same sea, so safe and welcoming so perfect for kids and families, that canturn into an amazing arena of impetuous sewlls, barreling and mean; waves to catch, attack, caress and follow into whitewater. Pur collective California dream plays out in a bit of versilia’s sea near Forte dei marmi’s Pontile. An expanse of water that has become the Tyrrhenian playground for stoked foam-breathers on bords.

Everything turns on the waves, whenever, wherever: little snappers, crumbly waves, or big, glassy giants, perfect, pitching, peeling. An eternal pilgrimage in search of ideal spot, even if the best spots are right there, around the Forte Pontile and a tad downscaled at Marina di Pietrasanta. The surfer suffering from perennial abstinence thus sets off looking for a nice wave to share with some good friends. Bundled in a wetsuit in winter or reveling in skin-sea contact in a summer.

The rest, all the rest, is an explosion of utter freedom and pure passion. The kind that drives you to frenetically click all the surflines to see where the surf’s up and then “dive” down from the remotest inland sites in Versilia by scooter, Ape, car, bike, VW bus…. any means of locomotion is the right one for getting to the beach or the Pontile, board under arm, and paddling out. This is what it’s all about. Someone defined it “the innermost limits of pure fun”.

A step into liquid time. Momentum. Passion. Passion that takes you, with your board buddies to hangouts like the Nimbus Club. Or to explore the specialized shops – on the increase throughout Versilia. The same passion that, in a business key, has spawned a host of boardshops that build to order (Ola Surfboards of pietrasant, for example).

The sea is an open-air stage on wich the curtain never falls: in winter as in summer, at dawn as at the dusk of a long, long day the blue crush is a never-ending attraction.
A “fatal” attraction, while all around unpredictable and unsettling, the unceasing wind and the whipping sea foam vehemently caress the senses of the surfer on a living curl at the morning of the earth.

Giacomo Puccini August 2010 Events in Lucca

Giacomo Puccini
Giacomo Puccini

Giacomo Puccini August 2010 Events in Lucca

TUTTI I LUNEDI’, MARTEDI’ E MERCOLEDI’ DEL MESE /EVERY MONDAY, TUESDAY AND WEDNESDAY OF THE MONTH
SPECIAL CONCERTS
“PUCCINI AND MOZART”
(always with different performers and programmes)

TUTTI I GIOVEDI’ DEL MESE – EVERY THRUSDAY OF THE MONTH

UNA NOTTE ALL’OPERA/A NIGHT AT THE OPERA
Arie e duetti dal repertorio lirico di Puccini, Verdi, Leoncavallo, Donietti, Mascagni ed altri/arias and duets from the Italian operatic repertoire

TUTTI I VENERDI’ DEL MESE – EVERY FRIDAY OF THE MONTH

MOZART & PUCCINI
Arie e duetti da/arias and duets from  LE NOZZE DI FIGARO, COSI’ FAN TUTTE, DON GIOVANNI, MADAMA BUTTERFLY, LA BOHEME, TOSCA

TUTTI I SABATO DEL MESE – EVERY SATURDAY OF THE MONTH

UNA NOTTE ALL’OPERA/A NIGHT AT THE OPERA
Arie e duetti dal repertorio lirico di Puccini, Verdi, Leoncavallo, Donietti, Mascagni ed altri/arias and duets from the Italian operatic repertoire

TUTTE LE DOMENICHE DEL MESE – EVERY SUNDAY OF THE MONTH

PUCCINI E LA CANZONE TRADIZIONALE NAPOLETANA – PUCCINI & THE  NEAPOLITAN TRADITIONAL SONGS

Giacomo Puccini July 2010 Events in Lucca

Giacomo Puccini
Giacomo Puccini

Giacomo Puccini July 2010 Events in Lucca

TUTTI I LUNEDI’, MARTEDI’ E MERCOLEDI’ DEL MESE /EVERY MONDAY, TUESDAY AND WEDNESDAY OF THE MONTH
SPECIAL CONCERTS
“PUCCINI AND MOZART”
(always with different performers and programmes)

TUTTI I GIOVEDI’ DEL MESE – EVERY THRUSDAY OF THE MONTH

UNA NOTTE ALL’OPERA/A NIGHT AT THE OPERA
Arie e duetti dal repertorio lirico di Puccini, Verdi, Leoncavallo, Donietti, Mascagni ed altri/arias and duets from the Italian operatic repertoire

TUTTI I VENERDI’ DEL MESE – EVERY FRIDAY OF THE MONTH

MOZART & PUCCINI
Arie e duetti da/arias and duets from  LE NOZZE DI FIGARO, COSI’ FAN TUTTE, DON GIOVANNI, MADAMA BUTTERFLY, LA BOHEME, TOSCA

TUTTI I SABATO DEL MESE – EVERY SATURDAY OF THE MONTH

UNA NOTTE ALL’OPERA/A NIGHT AT THE OPERA
Arie e duetti dal repertorio lirico di Puccini, Verdi, Leoncavallo, Donietti, Mascagni ed altri/arias and duets from the Italian operatic repertoire

TUTTE LE DOMENICHE DEL MESE – EVERY SUNDAY OF THE MONTH

PUCCINI E LA CANZONE TRADIZIONALE NAPOLETANA – PUCCINI & THE  NEAPOLITAN TRADITIONAL SONGS

Tuscany churches

Montecarlo


The convent of the Clarisse and the Church of Sant’Anna

The idea to build a convent in the centre of ontecarlo was implemented between the end of the 16th century and the beginning of the 17th, following the religious fervour created by the Council of Trent. It was built between 1610 and 1614 (from a design by the architect, Gherardo Menchini of Florence) and was enlarged subsequently with the inclkusion of the building that until then had been the residence of the Vicars of Montecarlo.

The running of the convent was entrusted to the Pooor Clares who remained there until 1810, when the religious community was expelled after the Napoleonic wars. The building was put up for auction and was subsequently redeemed and given to the Fondazione Pellegrini-Carmignani and used as a school for children.
The old convent complex, now in need of restoration, also includes the 17th century church of Sant’Anna, which is entered from Via Grande. Inside there is a Madonna in trono col Bambino e Santi of 1709 by Giovan Maria Corsetti and a San Lorenzo by Apollonio Nasini.

Villa Mansi

Villa Mansi

Dating back to the third quarter of the 16th century, the villa of the Parensi family is a compact, quadrangular block. The almost flat front of the building includes a portico and a loggia above with three arches on Tuscan columns; both are covered by a vaulted roof. By comparing the current building with a fine 17th century drawing by Domenico Checchi, its is possible to see the changes that ahve been made and how the villa stood at the centre of a vast agricultural estate.

Outside the enclosure walls, the public oratory has maintained the 17th century form as drawn by Checchi, with square pilasters supporting the entablature and the gable, and with curved stone cornices that enanche the openings in the facade.
The garden below it is borderted by the lemon houses and the olive mill.
The villa passed from the Mansi family in 1791, when Camilla Parensi, the last descendent of the family, married Raffaele di Luigi Mansi.