Toscana

Elba Island

Elba Island… 
Napoleon Slept Here

Sitting just to the west of the Italian mainland somewhat south of Pisa lies the island of Elba. It is common knowledge that Napoleon Bonaparte was exiled to Elba when nobody in France knew what else do with him but there is much more to this “Toscana” island. So much more that it appears to have multiple personalities, which for the visitor is very desirable.

There is the Elba with umbrella covered sandy beaches, pleasure boat harbors, and crowds of bathers. But there is also the Elba with a quiet rocky coastline, aromatic pine forests, and ancient hillside towns. There is also the Elba of ruins, archeological sites and abandoned mines. Napoleon Bonaparte’s s brief rule over the island in the 1800’s is but a suggestion of the push and pull of past powers.

Elba is ancient and complex geologically as well as culturally. It is fair to say that the mineral riches of the island have lured many throughout ancient times and continues to draw mineralogy pros and amateurs alike up into the hills. Elba has been inhabited since early peoples first learned how to cross the narrow stretch of sea to the island from what is now Piombino on mainland Italy. Stone age tools, some made from stone not found naturally on the island, that have been discovered on Elba attest to this. It was the Etruscans who located and first extracted the mineral wealth of copper and later, the rich iron ore deposits.

Historians believe that the Iron Age in Italy began on Elba. These mineral treasures attracted the Greeks and the Romans along with Spaniards, French and English. Saracen pirates often raided the island and surviving fortifications in Portofarraio and elsewhere stand as reminders of how valuable Elba was. Mining, with various starts and stops due to the demands and consequences of the process (especially to the forests, depleted to fire the smelting furnaces in ancient times) continued through World War II. Elba has since turned its attention to tourism for current prosperity.

Elba is the largest of the Tuscan Islands at about 86 square miles which is quite a bit larger than Capraia. It is large enough to venture out for a day’s exploration knowing that the trip back will not be very long. We stayed on the coast to the west of the town of Procchio, which is centered on the Northern side of the island. Our rented apartment was within a 20 minute walk of Marciana Marina which served as our base for food shopping, dining out, and strolling around in the evening.

This is a lively town that did not feel overcrowded with a good choice of restaurants and interesting small shops. In the evening, craftspeople set up their tables along the waterfront and a pleasant mixture of families, young lovers, and seniors were out enjoying the breeze of a warm July night. By night or by day, Marciana Marina had a nice balance of activity without a feeling of orchestrated tourism.

One issue that bears mentioning is that walking might best be limited to within the towns and along specific trails through the mountains. The roads are narrow and winding, often without shoulders. The drivers were not particularly bad (for normally lead-footed Italians) but there just isn’t much space to walk along the busier coastal roads without having to pay close attention to where you are and what is coming around the bend. Our initial thought of renting bicycles was negated by our first day’s walk to town because the hazards would have made it unappealing at best. Having a car to explore the island is a very big advantage though there are nice air conditioned busses that maintain a regular service around the island.

Above Marciana Marina at the foot of Monte Capanne, the largest mountain on Elba, are two small towns that retain their ancient roots. Marciana Castello is the older of the two and boasts fortifications that resisted attack by Dragut the corsair, one of the most legendary Saracen pirates to plunder the Mediterranean in the 1500’s. With nasty guys like Dragut appearing suddenly into the harbor it makes perfect sense why so many towns along the Italian coast were either perched high on rocky cliffs or sited well above the sea. What appeals to us as charming and picturesque today was a matter of survival when these towns were built. Poggio Terme is also very beautiful and ancient with a small church dating from the 7th century. Above these towns, often with clouds grazing the upper ridge is the granite outcrop of Monte Capanne.

The sea surrounding Elba is clear, clean and easy to get to but it is the diversity of the island that has left a lasting impression and a desire to return. The topography and vegetation varies from one end of this small island to the other with rounded granite outcroppings and low-growing plants to the west, a forested interior of pine and chestnut, and the rugged multi-hued peaks and tree-covered hills of the mining centers to the east. One feels they have traveled far, based upon the views, in only 30 minutes.

The mining history and its remains are fascinating not to mention the fact that the mineral wealth of the ancient rocks of Elba have by no means been eliminated. Rock hunting for Neanderthal stone tools to semi-precious gems is still practiced. Attention to avoiding the well known vipers of Elba needs to be maintained whenever poking around their habitat but that should no more prevent exploration than does the rattlesnake keep people away from the Grand Canyon.

Aside from the ever-present emperor of France, history is softly spoken in Elba but very much alive at every turn. It is said that Napoleon often sat by the sea on the west coast and gazed longingly at the island of Corsica in the distant haze. For those of us that have not lost an empire, reversing one’s view back to Elba is more than enough.

Pienza

Pienza

Pienza, a small town near Siena, is a rare example of Renaissance town building. Defined, from time to time, the “ideal city”, the “utopian city”, it represents one of the best planned Renaissance towns, where a model of ideal living and governing was realized thus working out the idea of a town able to satisfy the need for a pacific, civil and hardworking living. It represented the so called utopia of the “civitas” vainly cherished by people for centuries.Pienza has at present two museum, a third one into being. Its location in the middle of Val d’Orcia, a wonderful and untouched valley, enables the town to perfectly embody the basic interest which the humanistic architecture gave to the relationship man – nature.

Nowadays Pienza is part of a territorial system called “Parco artistico, naturale e culturale della Val d’Orcia”, which aims at preservation of the extraordinary artistic heritage of the five boroughs which constitute it: Castiglion d’Orcia, Montalcino, San Quirico d’Orcia, Radicofani and Pienza.
The center of Pienza was completely redesigned by Pope Pius II in Renaissance times. He planned to transform his birthplace into a model Renaissance town. The architect Bernardo Rossellino was commissioned to build a Duomo, papal palace and town hall, the construction were completed in three years.

Duomo
Piazza Pio II – Open daily

The Duomo was built by the architect Rossellino (1459) and is now suffering from serious subsidence at its eastern end. There were cracks in the walls and floor of the nave, but the splendid classical proportions are remained inctact. It is flooded with ligth from the vast stained glass windows request by Pius II; he wanted a domus vitrea (litterally “a house of glass”), which would symbolize the spirit of intellectual enlightenment of the Humanist age.

Palazzo Piccolomini Piazza Pio II – Open Tuesday – Sunday

The palazzo is next door to the Duomo and was home to Pius II’s descendants until 1968. Rossellino’s design for the building was influenced by Leon Battista Alberti’s Palazzo Rucellai in Florence. The appartments open to the public include Pius II’s bedroom and library. At the rear of the palazzo there is an ornate arcaded courtyard and a triple-tiered loggia looking out on the garden. From here there are spectacular views across to the wooded slopes of the Monte Amiata.

Pieve di Corsignano Via delle Fonti. Open by appointment. 
Phone to the tourist office: (+390578749071)
Pope Pius II was baptized in this 11 th. century Romanesque parish church on the outskirts of Pienza. It has an unusual round tower and a doorway decorated with flower mytholgical motifs. A crib is sculptured on the architrave of the side doorway.

Leslie Halloran
Please check out my website at: www.lihdesigns.net

“A frog in the well does not know the sea.” – Japanese Proverb

Tuscany itineraries

Montepulciano

Montepulciano, is a renaissance town in Southern Tuscany and an important agricultural center, famous for it’s  “Nobile” wine. Montepulciano lies on a hilltop in a panoramic position and is surrounded by the 15th century defensive works by “Antonio da Sangallo”. Birthplace of the famous poet Agnolo Ambrogini, called “Poliziano”. Thanks to its history throughout the centuries, the town has preserved many architectural jewels and artistic treasures along side the natural beauty of the surrounding countryside.

◦   Piazza Grande is the real monumental center of Montepulciano and hosts the “Palazzo Comunale” (Town hall) 15th century, with a big tower from which it is possible to admire the view of the village of Radicofani, the Orcia Valleys and Lake Trasimeno.

◦   The Cathedral of Montepulciano is a stately building by Ippolito Scalza, (1592-1630 , inside, altar by A. della Robbia, a 14th century baptismal font and the ” Madonna del Pilastro” by Sano di Pietro. On the high altar there is a tripthych by Taddeo di Bartolo (Assuunption, 1401).

The overall structure is reminiscent of the palazzo della Signoria in Florence. The rest of the square is surrounded by several elegant buildings: Palazzo Cantucci, by Sangallo, Palazzo Tarugi, in front of the church, by Vignola and next the Palazzo del Capitano del Popolo (XIV century). Of note is the ancient well “Pozzo dei Grifi e dei Leoni”, dating back to 1520 it illustrates very nice renaissance work.

◦    Palazzo Neri-Orselli, 14th century palace, hosts the Civic Museum of Montepulciano, a very large exhibition of Tuscan paintings.
◦    Palazzo Bucelli, whose facade is embedded with a patchwork of dozens of Etruscan reliefs and funerary urns.
◦    The church of Santa Lucia, preserves a painting by Luca Signorelli.
◦    Outside the city walls, the church of Sant’ Agnese, with a 14th century portal. Inside, the first chapel on the right has a frescoed Madonna by Simone Martini.
The travertine church of San Biagio, outside of the city, in the countryside, is characterized by a beautiful dome. It is one of the most significant Renaissance works and masterpiece of Antonio da Sangallo the Elder.

Montepulciano has many wine shops, (local name is enoteca or cantina) offering the chance to taste the local wine “Nobile di Montepulciano”, as well as, to have a traditional Tuscan “colazione” or “merenda” (breakfast) with local products: pecorino cheese, salami,  crostini or bruschetta. A real pleasure for the senses!

In Sant’Albino, a small village close to Montepulciano, there are the Thermal Spas of Montepulciano, famous for its waters and mud-baths whose curative benefits have been renowned for centuries.

Web site: www.montepulciano.com

Leslie Halloran
Please check out my website at: www.lihdesigns.net

“A frog in the well does not know the sea.” – Japanese Proverb

Turandot

Turandot

Every year the Festival Pucciniano presents a series of operas on the lakefront near Puccini’s home. What makes thesse operas unique is the setting moonlight, lakeside and also the “Sculpt the Opera” project featuring local artists of international stature such as Kan Yasuda (for Butterfly) and Franco Adami ( La Fanciulla del West).
Some say that opera is the most complete of all artistic forms, because it includes all the others.
Turandot offers all the elements of traditional opera grandiosity, beautiful staging, sumptuos costumes, stock characters (called maschere in Italian) and high passion. Certainly nothing was left out of this year’s production.

The opera has a fairy tale atmosphere, with a far-away location (Peking) and Chinese princess who tries to block her suitors by presenting them with three riddles:
. What is born each night and dies each down?
. What flickers red and warm like a flame, but is not a fire?
. What is like ice, but b urns like fire?

The Prince of Persia fails at the challenge and his decapitated head is presented before the throng. Only Calaf, son of deposed king and travelling incognito, can answer her questions and avoid beheading: hope is born each night and dies each dawn; blood flickers red and warm like flame but is not a fire; Turandot is like ice but burns like fire. Finally Calaf challenges Turandot “You don’t know my name. Bring me my name before sunrise, and at sunrise I will die.” In case you have not seen the opera, I won’t tell you what happens next.
Turandot has set up the challenges as an impediment to marriage to avenge her ancestor who was dishonored and killed.  She has created impossible enigmas that only love can overcome.

Extremes come together in this icy Turandot who kills her suitor, in Calaf who gives Turandot the chance to kill him in return, in the servant Liù who rather than reveal Calaf’s identity sacrifices herself out of love (shades of Dorria Manfredi). The stock characters Ping, Pang e Pong comment on the opera’s themes. Pong says ” I’ll prepare for the wedding” Pang replies and “I’ll prepare for the funeral”. Soon after, Ping sings about “il mio laghetto blu” at Honan, his peaceful home far from the court.

Who could fail to appreciate Liù (sung on opening night by Donata D’Annunzio Lombardi), gentle servant to Calaf’s father, the deposed and blind king Tumur. In her humble serf costume and in her stage movements, she is entirly believable and inspires empathy and true emotion. it is only right thet Turandot (sung by martina Serafin), the icy princess inspire some negative emotions.
“Nessun dorma” received the usual bravos, though Torre del Lago’s night air can waft away arias as lightly as brushing away mosquitoes. This time, though the stage designers got it right, blocking the back of the stage so that the music could not escape over the lake but inevitably reached the audience. A solid castle with smooth wings pushed the sound forward.

It was the first time I had seen Turandot but this is now on my “best” list one to see again and again. Next time I’ll be prepared with the libretto in hand.
As this year’s season comes to an end we can look forward to next year and once again to the Puccini favourites Boheme, Madama Butterfly, Turandot, and Tosca.
For 2011 there will also be a lesser-known opera by Leoncavallo, Mameli. Meanwhile, Lucca’s winter season begins soon at Teatro del Giglio with mozart’s Don Giovanni and Verdi’s Rigoletto.

Guided tours in Italy

Guided tours in Italy - Pisa

Guided tours in Italy: Concerts in Piazza dei Miracoli

This September, The Anima Mundi International Festival of Sacred Music in its Tenth edition has stunning program.
Sir John Gardiner will again conduct seven concerts covering five centuries of sacrd music.
Seven staggering performances of masterpieces, new music and rediscoveries for the pleasure of our ears and heart, ranging from the Vespri della Beata Vergine by Claudio Monteverdi to the music of the young Girolamo Deraco, winner of the 2010 composition contest sponsored by Anima Mundi.

From September 15 through October 1 we can hear music by Monteverdi, Gesualdo, Pergolesi (so much admired by J.S. Bach), Pasquini and Cherubini as well as the music that J.S.Bach, Igor Stravinsky and Sergej Rachmaninov wrote and dedicated to these Italian composers.

Some concerts will be held in the Cathedral, others in the Monumental Cemetery. 

On September 18 in the Monumental Cemetery Anima Mundi proposes Le Jongleur de Notre Dame by the English composer Peter Maxwell Davies, based on a medieval legend of a juggler entering a convent and having nothing else to donate to S.Mary’s statue than his skill. It contains a message of tolerance and acceptance just right for today.

The various interpreters are represented  by instruments and children are expected to take part. The Vespri by Rachamaninov, authentically interpreted by the Moscow State Chapel Chorus will close the festival on October 1 in the Cathedral.
All seven concerts are free and start at 21.00. Tickets available from two days before the concert dates.

Web site: www.opapisa.it