This article is not about what you might think: its subjects is not the CIA or FBI
instead it is about a bizarre set of laws passed in Lucca athe end of the seventeenth century. They esiste right up until the demise of Lucca’s independence at the end of the eighteenth century, when the governing oligarchy had more important things to worry about: like Napoleon Bonaparte. That doesn’t mean there was a very particolar type of spying.
As the silk trade began to dwindle and competition from other sites in Europe started to toreate Lucca’s cloth market, the government look severe action to protect it. In 1695, due to what was perceived as “frivolous preoccupation with fashion” the government rivive the office controlling luxury known as the Offizio sugli ornamenti e prammatica.
Legislation known as sumptuary laws had been in place in Lucca since 1308 to control luxury in dress and to police occasions such as wedding feasts and funeral wakes, but they were never strictly enforced.
In the sixteenth century, during the Spanish occupation of the Italian peninsula, the italian nobility adepte the fashion for wearing black from the Spanish but a tundre years later in Lucca this custom was actually imposed as low.
While coloured silk continued to be producted for export, on the recommendation of this office the government passed laws ordering its own upper class citizens those with the money to appear in the city only in black.
The oligarchy believed that by curling its citizens’ spending its wealth would be conserved. This protectionist and ultimately futile measure was not only inspired by economics but was also political, in that it also singled out the ruling classa s a particolar unit at a time when the Lucca oligarchy was ahrinking in numbers and becoming increasingly elite.
Legislation firstly targeted males from the age of eighteen and then females from the age of fifteen.
Some Lucchese citizens didn’t much care for this invasive law and resourcefully found ways around it: especially the ladies. Some sneaked a little colour into slashed sleeves or discreet petticoats, or added a few gold buttons or some jeweled stitching – anything to bring a bit of individualità to their dress. Consequently, the sumptuary spies were out in force and their duty was to lurk about in public places seeking out miscreants to report to the offices.
Confusing matters were the courtesans: thug forbidden to wear black or dark colours in order to distinguish them from respectable women, they wished to be seen as ladies, so they were often prosecuted for wearing black!
It wasn’t just the citizens who were spied on. In the interest of protecting the dying silk industry from foreign competion, any tailor dressmaker or haberdasher who imported or worked with foreign cloth was liable not only to a hefty fine but also physical punishment in the formo f two rounds of the corda or rope hoist a nastly contraption by wich the prisoner had is hands tied behind and was then hoisted up several feet in the air causing excruciating pain.
female offenders faced a spell in prison. Despite these measures, the constant reiteration of the laws between 1695 and 1798 and numerous contraventions documented illustrate how difficult it was to enforce the legislation.
To visitors, the city looked as if it were in perpetual mourning.
One tourist commented that the lucchesi looked like a flock of crows. Another quipped that going to the theatre in Lucca was like attending a funeral, adding that it was only the priests who wore gaily-coloured robes: the exact opposite of what was to be seen elsewhere.
One lady approved the legislation, remarking that it had tended to stop foolish fashion wars. Despite this, it was reported that Lucchese women even elderly oneswere still wearing the ltest fashions from Paris, while their husbands dressed in the outmoded style of twenty years before!
Tag: About Tuscany
Tuscany – Montelupo Fiorentino
Montelupo Fiorentino, is a town on the immediate outskirts of Florence, between Montalbano and the river Arno.
Its location and the presence of waterways helped to develop numerous craft activities, especially ceramics, which reached its greatest splendour in the course of the 15th and 16th centuries.
This art is still alive in the numerous artistic ceramics workshops. Every year in the month of June there is the Festa Internazionale della Ceramica (International Ceramics Festival) where the area’s history and traditions are re-enacted in a series of exhibitions and artistic events. The origins of Montelupo probably coincide with the building of a castle at the end of the High Middle Ages.
Tuscany – The Orchestra Giovanile Italiana
The Orchestra Giovanile Italiana (founded by Riccardo Muti in 1984 and direct by Nicola Paszkowski) performed last month at Florence’s Teatro Comunale as part of the Maggio Musicale Festival, with guest conductor Gianandrea Noseda.
The musicians (all between 18 and 27) received hearty bis! and bravi! For their performances of Smetana’s Hakon Jarl,, Stravinsky’s Le Baiser de la Fée and Dvorak’s Symphony N. 8 in G major op. 88
The Orchestra Giovanile consists mainly of Italian performers, although there are eight foreigners ( from Poland, Ecuador, Japan, Romania, Macedonia, Mexico and Russia).
The musicians know that in Italy they must accept ludicrously low pay, but even so they aspire to this joyously, expecting to supplement their earnings with teaching and solo performances, but above all to pursue a career they love.
Three of the musicians ( all 25 years old) discussed their ambitions over coffee before the concert.
Percussionist Dario Varuni, a Florentine of Neapolitan extraction, although attracted to the progressive cosmopolitan capital Berlin, said he could imagine no better life than performing in his adepte city. Already he has a busy career that includes teaching and performing in the past as far away as Paris, Heidelberg, and Milan.
Cellist Anna Stasevich, on the other hand, who comes from Caluga (200 km from Moscow), said she would be thrilled toh ave a permanent position with any major Italian orchestra.
Stasevich studied at the Conservatory of Caluga and completed her studies at the Moscow State Music Academy with Alla Vassilieva. What she likes about being in the OGI is being able to devote all her time to practing and performing Harpist Anna-Livia Walker (from Lucca), who has recently played for Live Music Now in the UK and at the Lisbon Opera House, says she would be very happy to continue working both in orchestras and as a soloist.
Sureley the world needs more of this kind of music, but sadly Noseda, conductor of Torino’s Teatro Regio, told the audience that the Giovanile (OGI), widely recognized as one of Europe’s most distinguished youth orchestras, has had its funds cut in half this year. Noseda, who rehearsed with the musicians in the period leading up to the concert without accepting any payment, said that “ our future dreams” represented by these young artists, are under threat.
Tuscany – Puccini Museum of Celle
The Puccini Museum of Celle is situated in the little village where Iacopo di Antonio Puccini, the great-grandfather of the famous Lucca-born coposer, was born on 26 january 1712.
Iacopo was the founding father of the dynasty of musicians that reached the apex of its glory in the figure of the maestro Giacomo Puccini.
Giacomo who was born in Lucca in 1858, like all his family maintained very close links with the last time on 26 october 1924, just a few days before his departure for brussels, where he died on 29 november of the same year. On the occasiono f this visit the village offered him a triumphal welcome, with 12 arches of laurel and other vegetation set along the street, one for each of his operas. The maestro then attended a ceremony of inauguration, during which the commemorative plaque that we can still see today was set upon the facade of the house of his ancestors.
In this veru house, ehere the members of the Puccini family were born and reared probably from as far back as the sixteenth century, the Museo Pucciniano of Celle has been set up, displaying num erous mementoes of the family.
The museum is arranged on two floors: on the ground floor, in the entrance hall, we can see the crown offered to Giacomo following the success of the premiere of Le Villi, which he bore to the bedside of his dying mother, the piano on which Puccini composed part of Madam Butterfly, and the gramophone donated to the composer by Thomas Edison.
The room is furnished with the original pieces that were previuosly in the composer’s birthplace in Lucca, and the bed in which Giacomo Puccini was born.
The kitchen is a magnificent example of the old country kitchens of the time.
Displayed on the upper floor is the christening robe of the Puccini family, which was also used by Giacomo, in addition to numerous relics of his forbears and an extensive collection of autograph letters, original sheet music and autograph scores records and photos that retrace the life and successes of Giacomo Puccini.
The museum, set up in 1973 by the Lucchesi nel Mondo association, which owns it and has been managing it uninterruptedly since its opening, was subjected to a meticulous renovation in 2004.
This has made it possible to set off to their best advantage the precious and fascinating collection of mementoes that was donated to the association in the early 1970s by the daughters of Ramelde Puccini, Giacomo’s favourite sister, Alba Del Panta Franceschini and Nelda Giaccai Franceschini.
In the summer season the Lucchesi nel Mondo association organises free operatic concert in the small square in front of the Museum, as well as offering guided tours all year round.
Museo di Casa Puccini
Celle dei Puccini, Pescaglia Lucca
Associazione Lucchesi nel Mondo
Castello Porta S. Pietro Mura Urbane 6 Lucca
Tel. /Fax +39 0583 467855
Open by appointment
Tuscany – Sunday 16th august – Palio horse race in Siena
The Palio di Siena (known locally simply as Il Palio) is a horse race held twice each year on July 2 and August 16 in Siena, Italy, in which ten horses and riders, dressed in the appropriate colours, represent ten of the seventeen Contrade, or city wards.
The seventeen Contrade are:
Aquila (Eagle)
Bruco (Caterpillar)
Chiocciola (Snail)
Civetta (Little Owl)
Drago (Dragon)
Giraffa (Giraffe)
Istrice (Crested porcupine)
Leocorno (Unicorn)
Lupa (Female Wolf)
Nicchio (Seashell)
Oca (Goose)
Onda (Wave)
Pantera (Black Panther)
Selva (Forest)
Tartuca (Tortoise)
Torre (Tower)
Valdimontone (literally, “Valley of the Ram” – often shortened to Montone).
The race itself, in which the jockeys ride bareback, involves circling the Piazza del Campo, on which a thick layer of dirt has been laid, three times and usually last no more than 90 seconds. It is not uncommon for a few of the jockeys to be thrown off their horses while making the treacherous turns in the piazza and indeed it is not unusual to see unmounted horses finishing the race without their jockeys.
A magnificent pageant, the Corteo Storico, precedes the race, which attracts visitors and spectators from around the world.
For more information: Palio di Siena