Tusscany, The “Modi” Practical Joke of Livorno

My friends, to let you understand and feel the spirit of Livorno and people who lives in this incredible city, I thought about an old, very old story that for sure you cannot miss. Too funny!

This is the story of a huge practical joke involving one of Livorno’s most famous personalities, Amedeo Modigliani, and four ordinary young men, which took place 20 years ago in one of the nicest areas of the city, the Medici canal which flows in front of the indoor market.

The joke took place back in 1984, however to fully understand how it came about we must first go back to 1909 and discover a bit about the events which led up to it. It was in 1909 that Amedeo Modigliani, a young artist and sculptor who had just turned 25 years old, was hugely disappointed by the negative reviews that he had received from critics about his work and as a result decided to leave his hometown forever. His sculptures, which were completed in a figurative style of the beginning of the 20th century, that he had seen in Paris, and which were inspired by African art, were not to the taste of the local art critics and one critic even told the young artist that he would be better off just throwing them all away.

The general story goes that it was these criticisms which forced Modigliani to leave his town, dumping all of his failed works of art in a ditch in the process. His failed work actually consisted of sculptures of human heads, which were harsh and elongated in style and sculpted into the stone in a style for which his work was to become famous following his death. The ditch in which he dumped his sculptures (the name of which indicates the canals of Livorno which cross through the historical centre) would have been Fosso Reale, a ditch of the Medici Canal which goes from Piazza della Reppublica to Piazza Cavour, where you can see one of the city’s most well-known monuments: the 18th century Chiesa degli Olandesi, with its spectacular Neo-Gothic, yellow, stone facade and the impressive General Food Market with its tall, big windows which feature greek style colomns.

Now, in 1984, it is 100 years after the birth of Modigliani and Vera Durbé, the manager of Livorno’s Progressive Museum of Contemporary Art, decides to organise an exhibition of Modigliani’s sculptures, to celebrate his 100th year. Her idea, however, prompted an interesting challenge: The search for the legendary heads since they had been previously thrown into the canal by a young Modi. The quest was supported by the administrative council, who approved the dredging of the works from the ditch.

The excavation work took place in the sunny month of July, under the watchful eyes of many who stood waiting excitedly for any news of the recovery of these long-awaited works of art. Their wait lasted a week and on the eighth day three stone sculptures, scultped in the harsh, elongated style for which Modigliani was by now famous for, were successfully excavated, one after the other. They were presented to the many art critics of Livorno, who claimed that the heads were the original work carved by the hands of Modigliani immediatly after examining them closely.

At first, it seems that the story has a happy ending: Durbé’s dream was realised and art lovers from all over the world flocked to Livorno… but they were forgetting that Livorno is a city famous for its pranks and practical jokes and here it is always possible that things are not always as they seem. Therefore, after a month of much talk and awards regarding the three newly-recovered sculptures, three Livornese students: Pietro Luridana, Pierfrancesco Ferrucci and Michele Guarducci, came forward claiming to have sculpted one of the three heads, in the garden of one of their houses, using drills and other tools bought from a local hardware store. They presented photos of themselves in action and the splinters of stone pertaining to the sculpture in question. Then, on national television they re-enacted the creation of the masterpiece.

Not long after, a sculptor named Angelo Froglia laid claim to the other two heads. Angelo Froglia was, in fact, just an ordinary dockworker who was passionate about art and was a talented sculptor. He claimed that he came up with the idea to pretend to have sculpted these pieces as a way of showing how art critics are led more by market trends rather than their own perceptions and the true worth of each individual piece of work. Both the three students and Froglia achieved their goals as in the end the joke was on the art critics who had previously slammed the work of Modigliani.

Talk of these events lasted a while. Mainly due to the fact that too many acclaimed art critics had already declared the authenticity of the three heads. However, although it was, in fact, the three students and Froglia who had, separately, sculpted the heads which had been excavated from the canal, there were still those who thought that they were liars who had conspired together to pretend to be the true sculptors of the heads, and so continued to believe that the sculptures were the original work of Modigliani. The reality is that only in Livorno could two completely different, unrelated groups of people have come up with exactly the same successful practical joke.

Wine Trails of Tuscany

The “Wine Trails of Tuscany” run through magnificent wine-growing areas which, apart from the obvious vineyards and wineries, offer an integrated tourist package of cultural, historical and natural attractions.

These trails are also a means of fostering rural development and of promoting so-called “Enotourism”, that is, setting wine production in a cultural, environmental, historical and social context.

Strada del Vino di Montecucco Strada del Vino Terre di Arezzo Strada Medicea dei vini di Carmignano Strada del Vino Montespertoli Strada del Vino Nobile di Montepulciano Associazione Strada del Vino Colli di Maremma Vernaccia di San Gimignano Comitato Strada del Vino delle Colline Pisane Strada del vino Colli di Candia e di Lunigiana Strada del Vino Costa degli Etruschi Strada del Vino Monteregio di Massa Marittima Associazione Strada dei Vini Chianti "Rufina e Pomino" Strada del Vino Colline Lucchesi e Montecarlo Strada del Vino "Chianti Colli Fiorentini"

Provence VS Tuscany

Granted, Provence lacks Tuscany’s “painted into place” perfection. Its beauty is otherwise — of sensual light softly colouring a life lived hard for centuries. This is a land of lavender, prettily perched villages and old blokes bringing ancestral wisdom to the game of pétanque.

But such postcard slivers of reality disguise a hectic history and geography that render the region rough-edged and turbulent. The villages were, after all, perched for protection. Prettiness is a by-product.

The postcards tell little, either, about a life still dominated by farming, family ties and folk who alternate between public celebrations and bitter disputes. They also ignore pieds et paquets, the tripe-and-trotters dish with which locals stun feeble foreign digestive systems.

Provence is, in short, a proper, rooted place, not an arty summer camp for the chattering classes. Bèn-vengu. (That’s “welcome”, Provençal-wise.)

For tourers: when it comes to coast, Provence has Tuscany over a barrel. Think about the Maures and Estérel corniches, where rocks plunge directly into the briny and humanity hangs on where it can. Here, the Creator was in showman mode.

The Estérel corniche ends at Cannes, a jet-set smudge on the seascape. Nice is just beyond, while, directly behind, the mountains scorn trivial pursuits for tougher concerns. Here, the region rises via forests and ravines to villages sprouting from ragged hilltops. They’ve apparently had a wilder time than their Tuscan counterparts, telling their tale through wriggling streets and ramparts, and old ladies in older doorways who are resolutely unimpressed by anyone, least of all the Beckhams in Bargemon.

Put vertigo on hold for the Verdon Gorges, where, for 13 miles or more, the French Grand Canyon has head-scrambling splendour unmatched in Europe, let alone Tuscany. This is where, unable to control terrified teeth, I join the chattering classes.

For culture fiends: Tuscans may have the Renaissance sewn up, but Provence has hosted playtime for polymaths ever since the Romans scattered theatres and arenas about the place. Later, the Avignon popes chucked up the majestic Papal Palace — which would still rule Christianity, given half a chance.

The Cistercians left purer testimony to medieval faith at Le Thoronet abbey and its sister houses. And in more recent times, Provence has gained ground with an unbeatable bevy of modern artists: Van Gogh in Arles; Matisse, Chagall and Klein in Nice; Cézanne in Aix; Cocteau in Menton; and Picasso pretty much everywhere.

Nor is Provençal culture stored solely in pictures and monuments.

It’s in the fishing boat and the curve of an ancient street, the autumn pursuit of mushrooms and wild boar, the swirl of a bullfighter’s cape. On that score, Provence is cultured to the hilt.

For the explorer: unless you’re on the way to St Tropez, most of Provence is off the beaten track. Between a few well-known spots, you can be out of touch in the turn of a hairpin. Perhaps the next bend will take you up the Dentelles de Montmirail — jagged little peaks that the Provençaux call lace (“dentelle”), though they look more like fangs to me.

From there, skirt the mighty Mont Ventoux along the Nesque Gorges, second only to the Verdon for plunging-into-the-void potential. Beyond, Sault is lavender central, its valley carpeted purple-blue in high summer. To the east, the peak of the Lure rises rocky and increasingly remote; then you’re in the Alpes de Haute-Provence, their elemental toughness apparent from the many abandoned farming hamlets.

On towards the Mercantour National Park, where there is walking, climbing and every other hairy-chested activity. But most of all, there’s soaring space. It may be standing room only back in Gordes or Avignon, but here, believe me, you will stand alone.

For foodies: Aix market is no place for the hungry. You’ll go mad with food lust, seduced by voluptuous fruit and veg, herbs, breads and an entire civilisation of cheeses. Fish lie on the stall as if the tide had just receded. Over there, meat and charcuterie dash vows of vegetarianism. Over here are several zillion versions of olive oil, nuns selling chicken and chaps in hats giving honey tastings.

And it’s all healthy — so tuck in guiltlessly to ratatouille, salade niçoise and the grand-aïoli of salt cod and garlic mayonnaise. Pasta is on the menu, of course, but there’s no Italian-style obsession with the filler material. Why would there be, when Sisteron lamb and beef daube await? Or bouillabaisse from Marseilles? A white from Cassis helps it all down. Meanwhile, reds from the southern Côtes du Rhône and Bandol rival Tuscany’s best, Côtes de Provence pinks are ace in summer, and no Italian aperitif beats the sunny savour of pastis.

For the ultimate trip: Provence invented the top-end sunshine holiday. The grand tour may have whistle-stopped through Tuscany for art’s sake, but when it rolled onto the Riviera, it stayed put, lived high and hired the locals as domestics.

The coast was speckled with palace hotels and outrageous villas — and still is. Nowhere else offers sybarites such choice. The taste-filled decadence of the Negresco, in Nice, sums it up nicely (00 33 4 93 16 64 00, www.hotel-negresco-nice.com; doubles from £200).

Slightly more contemporary — ie, there’s a spa — is the 18th-century farmstead that has been transformed into Le Mas Candille, at Mougins (0845 458 9455, www.aspireholidays.co.uk; seven days from £885pp, including flights). Or go mob-handed and move into a watercress farm, built in the days when watercress farming conferred distinction. The splendidly restored Mas St Estève, near L’Isle-sur-la-Sorgue, filters a noble Provençal past through present comfort (0845 070 0618, www.abercrombiekent.co.uk; from £6,055 per week, rising to £9,555 at peak times, for up to 12).

Anthony Peregrine()

TUSCANY

Provence in summer is golden and lovely. But Tuscany sets the platinum standard. Europe’s wealthiest region in the Middle Ages, home of the Renaissance and humanism, it has depths that no bucolic bit of France can begin to plumb.

The Tuscans built gorgeous cities, filled them with masterpieces, then invented country villas — which they filled with even more art. And before they downed tools and let what passes for progress carry on elsewhere, they made sure that each tree was planted in just the right place, creating one of the most civilised landscapes on earth.

For tourers: Tuscany earns its crust in the corridor between Florence and Livorno, where the serious industry and agriculture are based. Get beyond its autostrada spaghetti, though, and touring has a magical quality, as if you were progressing through a series of Renaissance frescoes, scooting along behind all those Madonnas and saints.

At its best — in soft, green Chianti, in the hills south and west of Siena — there is a mystic geometry about the landscape. Each hill wears a tiara: perhaps a rugged stone farmhouse, a villa set in a tiered Italian garden, a crumbling castle or a vertical little town. All are built with an intuitive aesthetic, in endless variations of towers and loggias, olive groves, vines and cypresses. Driving takes you past them too quickly, in fact; Tuscany was made for walking, riding or cycling.

For culture fiends: en garde, Provence! Tuscany takes few prisoners when it comes to culture. With Giotto, Donatello, Leonardo, Michelangelo, Botticelli and co, the region has more great art and architecture per square mile than any place on earth.

Although Florence and Siena possess the lion’s share of the masterpieces, almost every one-horse town and roadside chapel has something worth seeing. One of the most striking images in Tuscany, Piero della Francesca’s poignant vision of the pregnant Virgin, the Madonna del Parto, resides in an old school in tiny Monterchi, his mother’s birthplace.

But Tuscan culture isn’t only about dead geniuses. Artists and musicians flock here from around the world, which makes for a lively calendar of events to complement the region’s traditional festivals: the daredevil

Palio in Siena; the tug-of-war Gioco del Ponte in Pisa; down-and-dirty Renaissance football in Florence.

For explorers: 90% of visitors stick to the core sites, leaving the fringes to explorers. If Florence is heaving, for example, take a short drive north into the lush, wooded Mugello (site of the first Medici villa), and you’re practically on your own.

And the wild side of Tuscany, the Garfagnana and the Apuan Alps, where Michelangelo sought out marble to “liberate”, is only half an hour north of Lucca.

Then there is southwest Tuscany, which holds perhaps the juiciest secrets: Massa Marittima’s cathedral on a pedestal; the sword in the stone at San Galgano; the Maremma, home range of Tuscany’s own cowboys, the butteri; and the time-capsule towns of Pitigliano and Sovana, built over and around Etruscan tombs. And in Capalbio, at Tuscany’s southernmost tip, you’ll find the most startling sight of all: Niki de Saint Phalle’s fantastical mosaic sculptures, towering 50ft tall, in the Giardino dei Tarocchi.

For foodies: Catherine de’ Medici introduced haute cuisine to France, but modern Tuscan food is the opposite — simple and wholesome, prepared with superb ingredients. Even the most basic pappa al pomodoro (tomato bread soup), made with sun-ripened tomatoes and locally pressed olive oil, can be an epiphany.

Favourites include hearty bean and vegetable soups, and pasta dishes with white truffles and wild asparagus, along with bistecca alla fiorentina — the perfect T-bone steak. Desserts, however, can be incredibly rich: Siena’s panforte, packed with nuts, honey and candied fruit, must be eaten only in wafer-thin slices.

Tuscan wines need no introduction — Chianti, Brunello di Montalcino, Vino Nobile di Montepulciano and white Vernaccia di San Gimignano. But don’t pass up a chance to try the DOC-rule-breaking “super Tuscans”, such as Tignanello and Sassicaia, and a glass of vin santo with dessert.

For the ultimate trip: swanning around with mates in a Tuscan villa is about as good as it gets. San Martino, a 16th-century farmhouse, sleeps 12 and comes with infinity pool, spa area, pizza room, home cinema and pool table. A week starts at £4,410, rising to £7,035 at peak times, through A&K Villas (0845 070 0618, www.abercrombiekent.co.uk).

For sheer romance, Relais La Suvera, near Siena (00 39 0577 960300, www.lasuvera.it; doubles from £258), delivers the goods: a medieval fort, converted into a villa for Pope Julius II and packed with heirlooms and antiques, it offers a spa and blissful tranquillity.

Alternatively, see Tuscany in between luxuriating at one of the world’s top spa retreats: Terme di Saturnia, in the Maremma (00 39 0564 600111, www.termedisaturnia.it; from £1,176 per week for two).

Dana Facaros

Tuscany Review

One of the most popular regions in Italy, Tuscany stretches from the Tyrrhenian Sea to the Apennines. Its main cities include Florence, Pisa, Siena, Lucca, Arezzo and Livorno. Drive between stunning sites like Florence’s cathedral and Uffizi Gallery and the Leaning Tower of Pisa. Or join a bike tour and pedal past sun-baked olive groves and vineyards. Don’t miss the towers of San Gimignano or serene northern hill towns. For a more modern take, hit one of Florence’s hip clubs, such as Space Electronic. More…

Tuscany Review

Dear Friends,

I found this nice post around the web and I decide to publish it here on PlunningaTour because in my opinion reading it you can taste the true way to visit Tuscany.

Tuscany is well known for many things. Florence, being the largest city, is the main attraction, but by no means the only draw in a region that, above most in Italy, has a reputation beyond its means.

Of course, there is Florence, but there is time enough devoted to her, and the beauty and uniqueness of that city. Pisa as well, has her fans and detractors, but is a worthy enough diversion, and the Tower really is a must-see (as well as the Cathedral which can hold a torch to any in Florence).

To get a true taste of Tuscany in her entirity it is necessary to head for the hills, so to speak.

The overwhelming sight that will greet you as you head south from Florence, is (depending on the time of year) the verdant countryside. The green-ness is overwhelming, and the lines and lines of vineyards and olive trees around Chianti lead to the famous landscapes often alluded to, in Tuscany.

The hills are larger than their English equivalents, for the most part, and intermittently, a hill town will appear, as if from nowhere, and ‘just popping in for a visit’ can lead to finding the a great little trattoria which will far outstrip anything in Florence. Although that can possibly be said for any Italian countryside.

Tuscany is full of small towns. San Gimignano is a perfectly preserved medieval town which did a lot more from me than San Marino (in Romagna), because although it is very touristy, it doesn’t seem to have sold-out to the tourist influx. Vinci (Leonardo’s famous birthplace) is worth a diversion, sitting on a hill, with its own Leonardo museum, although if you go to his actual birthplace (a little way out of the town itself) there isn’t very much in there to see.

Lucca as well, is a great spot to while away a day, and although I never got as far south as Siena, I’m told it’s a treat.

The Tuscan countryside cannot really be appreciated on the train from Pisa Airport into
Florence, and is it as well to take a day trip from Florence, if you can, to Siena or San Gimignano, or even to Fiesole if you are short of time, because it is good to set off the artistry of Florence against the natural beauty that inspired so many of her famous sons.

There are always a lot of expats in this area, but that can be quite comforting in a way, and the Tuscans are very proud of their own little corner of Italy, they are helpful to a fault, if a little particular. The wine is superb and the food is plentiful and excellent, and in my eyes, that makes it a good enough reason to stop, regardless of the countryside.

There are many particular cities to see within Tuscany, not all of which I could mention, and any number of which would have numerous treasures – stopping an a random church in a small village will uncover art pieces which would be the centre of any gallery in London – and that is more the pleasure of exploring this particular area of Italy. The joy is as much in the travelling as in the arriving.