Boccaccio’ s Women

Boccaccio in LUCCAOne hundred paintings inspired by the Tales of Boccaccio by Jenny McIntosh, Scottish transplant to Bagni di Lucca, are on exhibit in Lucca at Corte dell’Angelo, via Roma this week beginning on November 5th (see What’s On). Her discov- ery of Boccaccio is a tale within a tale in- volving Franklin Samuel Stych, “Sam” as he is known to all. Humanist scholar and bib- liographer, Sam Stych has been researching Boccaccio for 30 years, and continued even after moving to Bagni di Lucca in 1977.

Sam’s mind is remarkably sharp despite his age. When we visited him (and Alessio his cat) a few weeks ago he directed Jenny and me to several books from his shelves: his bibliographical work on Boccaccio pub- lished by Greenwood Press, the monograph he authored for the Pinocchio Foundation entitled Pinocchio in England, and his 430-page Ph.D. dissertation for the University of Sheffield on Lucchese novelle by Nicolao Grannucci (1521-1603).

Jenny’s weekly visits to 95-year-old Sam have been an occasion to share a glass of wine while talking about literature, history and life. She learned that the Decameron, a collection of 100 novellas written be- tween 1349 and 1351 – shortly after the plague had decimated Florence and driven many people to country retreats – was sur- prisingly complex in its approach to women. As she read the tales and talked with Sam, she found herself painting her way into the psyches of women like Griselda, Alibech, Madonna Agnesa, Monna Sismonda, Belcolore, and also of the seven women narrators who spent their time swapping tales with their three male companions before returning to their tra- ditional life and roles in Florence.

The countryside, then as now, offers an es- cape from ordained behavior into a bucolic and sometimes barnyard world where codi- fied rules are loosened and natural expres- sion is enhanced. Many of the women in the tales trick and cuckold their husbands. But the Decameron ends with a twist, Boccaccio’s famous story of the “patient Griselda”, a young wife taught to “tow the line” by her older husband Gualtieri, a law- yer. Dioneo, the narrator of this tale, warns his companions, and by extension we the readers, that his tale is descriptive and by no means a prescription for good behavior. Indeed, Gualtieri is not only a misogynist, he is even sadistic in enforcing his moral les- sons of obedience and patience on his wife. Savonarola and the Inquisition, although 150 years in the future, might even come to mind! We are reminded that the young peo- ple are about to return to Florence, their idyll coming to an end.

Sam’s life offers a remote parallel to the Decameron. He and a group of friends working in Florence (headed up by Ian Greenlees, then head of the British Institute) began coming to Bagni di Lucca on weekends, enjoying conversations, wine and a retreat from urbanity. Sam still lives in Via del Bagno, next door to the house of Montaigne – whose plaque reads: “In the summer of 1581, Michel de Montaigne lived in this house for 74 days, and wrote about it in his Journal du voyage”. The Fondazione Michel de Montaigne, estab- lished in 2007, continues to promote cul- tural initiatives in Bagni di Lucca.

Boccaccio’s Decameron, presenting women as they might have lived in medi- eval Tuscany, is no manifesto. Jenny’s clear-eyed, vibrant women gazing thoughtfully from their portraits may also reflect other women known to Boccaccio. Having completed the Decameron, he went on to write De claris mulieribus (On Famous Women), about 106 women from Eve to Giovanna I Queen of Naples. If you want to understand women, these two very different books might be a good read. For those who find Italian, or especially Latin, heavy going (and don’t we all?), De claris mulieribus is now, finally, available in English from Italica Press (translation by Guido A. Guarino, 2011).

 

Rent a Villa in Tuscany – A Testimonial from a Sock Dog

My name is Otis the Sock Dog.  I recommend to you Villa al Boschglia.  I can tell you from personal experience why you should rent this spectacular villa.  I was warmly welcomed with my family while staying at Villa al Boschiglia.  It is a spectacular villa in the heart of Tuscany.  Here you can live out your dream of life in a luxury villa.  I am pleased to say that cats are not allowed in the villa, just sock dogs.

Why rent in Tuscany?  Tuscany epitomizes the birth of the Renaissance.  The region’s most prized art and historical relics reside in the larger cities, while hilltop medieval towns offer their own history.  Tuscany offers breathtaking views of the undulating countryside with its rustic vineyards and olive groves and the majestic Appiennes Mountains.  The blend of delicious foods and beautiful wine is classic Tuscany.  Whether you come in search of pure relaxation and rural charm or an experience packed with local culture and tradition – you will fall in love with Tuscany!  Why rent Villa al Boschiglia?  Besides having me to answer any questions at otis.sockdog@gmail.com, here are just 12 of the reasons to rent this villa in Tuscany!

Why rent in Tuscany?  Besides having me to answer your questions at otis.sockdog@gmail.com, here is the 1st of 12 reasons to rent Villa al Boschiglia!

Villa al Boschiglia1 –  Location, Location, Location!

In a beautiful corner of Tuscany, near the medieval town of Lucca, the magnificent Villa al Boschiglia is for rent.  Villa al Boschiglia rental was built in Tuscany in the middle of the 17th century.  This central location allows you to explore the numerous well-known sites of Tuscany such as Carrara, Chianti, Florence, Lucca, Pisa, and Siena.  It is also the ideal location from which to visit the lesser known, but worthy of exploration, places such as Fiesole, Montecatini Alto, Pistoia, San Gimignano, San Miniato, Vinci, Vicopisano, and Volterra.

History Florence

History Florence

The 1966 Flood of the River Arno in Florence killed many people and damaged or destroyed millions of masterpieces of art and rare books in Florence. It is considered the worst flood in the city’s history since 1557.
With the combined effort of Italian citizens and foreign donors and committees, or angeli del fango (“Mud Angels”), many of these fine works have been restored. New methods inconservation were devised and restoration laboratories established. However, even decades later, much work remains to be done.

November 3, 1966
After a long period of steady rain, the Levane and La Penna dams in Valdarno began to emit more than 70,629 cubic feet (2,000.0 m3) of water per second toward Florence.
At 2:30pm, the Civil Engineering Department reported “‘an exceptional quantity of water.'”
Cellars in the Santa Croce and San Frediano areas began to flood.
Police received calls for assistance from villagers up the Arno Valley.
The flood’s first victim, a 52 year old workman, died while trying to reach a crumbling aqueduct.
November 4, 1966
At 4:00am, engineers, fearing that the Valdarno dam would burst, discharged a mass of water that eventually reached the outskirts of Florence at a rate of 37 miles per hour.
At 7:26am, the Lungarno delle Grazie cut off gas, electricity and water supplies to affected areas.
By 8:00am, army barracks were flooded.
By 9:00am, hospital emergency generators (the only source of electrical power remaining) failed.
Landslides obstructed roads leading to Florence, while narrow streets within city limits funneled floodwaters, increasing their height and velocity.
By 9:45am, the Piazza del Duomo was flooded.
The powerful waters ruptured central heating oil tanks, and the oil mixed with the water and mud, causing greater damage.
Florence was divided in two, and officials were unable to immediately reach citizens of the city past the Piazza Michelangelo.
At its highest, the water reached over 22 feet (6.7 m) in the Santa Croce area.
By 8:00pm, the water began to lower.
Impact

The flood has had a lasting impact on Florence, economically and culturally. City officials and citizens were extremely unprepared for the storm and the widespread devastation that it caused. There were virtually no emergency measures in place, at least partially due to the fact that Florence is located in an area where the frequency of flooding is relatively low. In fact, approximately 90% of the city’s population were completely unaware of the imminent disaster that would befall them as they were sleeping during the early hours of November 4, 1966.
Residents were set to celebrate their country’s World War I victory over the Austrians on November 4, Armed Forces Day. In commemoration, businesses were closed and many of their employees were out of town for the public holiday. While many lives were likely spared as a result, the locked buildings greatly inhibited the salvaging of valuable materials from numerous institutions and shops, with the exception of a number of jewellery stores whose owners were warned by their nightwatchmen.
Tragically, 5,000 families were left homeless by the storm, and 6,000 stores were forced out of business. Approximately 600,000 tons of mud, rubble and sewage severely damaged or destroyed numerous collections of the written work and fine art for which Florence is famous. In fact, it is estimated that between 3 and 4 million books/manuscripts were damaged, as well as 14,000 movable works of art.
Artist Marco Sassone, in an 1969 interview, recalled the impact of the flood on Florence’s residents: “The only thing you could do was watch and be helpless. Nature was master…the women became crazy with fear. They began throwing things from the windows and screaming ‘who is going to save my children?'” It was reported that 101 people lost their lives in the flood waters.

Leslie Halloran
Please check out my website at: www.lihdesigns.net

“A frog in the well does not know the sea.” Japanese Proverb

Italian style

Italian style -Church of Santa Caterina

Help save the Church of Santa Caterina in LUCCA – Italian style
There is still time to record your vote to help save and restore one of Lucca’s most beautiful churches. FAI (the Fondo Ambiente Italiano) is a not-forprofit organisation modelled one the UK’s National Trust. It exists to raise funds to support the restoration and care of Italy’s national heritage, whether it be buildings or areas of natural interest, and to raise awareness and improve access to these sites for the benefit of all.
Every other year, it conducts a major survey among Italian residents of the places they would most like to see restored and preserved for future generations.

This project is called I Luoghi del Cuore (places of heart) and FAI uses its results to raise awareness of deserving projects with local and national organisations, and to lobby for their restoration, with the financial support of the bank.
This year, high on the list of potential restoration projects is the Chiesa di Santa Caterina in Lucca, The church sits at the angle of Via del Crocifisso and Via Vittorio Emanuele II, opposite the former cigar factory, the Manifattura Tabacchi, itself scheduled for development by the Comune di Lucca. The unusually ovalshaped church, which dates from the mid 18th century, is regarded as one of the finest surviving examples of the high baroque style.

Yet for over 20 years it has been closed, and is now in need of considerable repair. FAI was instrumental in having it opened briefly in May so that luchesi could get a glimpse of its extraordinary interior. If you are registered resident in Italy, and wiuld like to record your support for this architectural gem, here’s what you do. The process is slightly laborious, but only to deter dirty tricks, as this one prize worth winning.

. Go to the project website: www.iluoghidelcuore.it
. Hit the button Segnala il tuo luogo del cuore
. In the pop up screen enter your provincia and Comune, and select Chiesa di Santa Caterina from the choices offered to you (yes there are other deserving projects in Lucca, but the Church of Santa Caterina currently has the best chance of wining funds)
. Add additional comments or photographs if you wish but thi is optional.
. Complete the security test ( a simple addition of numbers)
. Finally press the Completa la segnalazione button, which takes you to the registration page, where you will need to enter your name, address, e-mail address etc.
. You will then receive confirmation that an e-mail has ben sent to you from I luoghi del cuore
. Open the e-mail and hit the Attiva button to confirm your vote (satisfyingly, you will then see the total number of votes cast for your choice increase by one on the I Luoghi del cuore website).
It costs nothing, so please do your bit. Final results will be announced by FAI after voting closes on 30 September.

Exceptionally, the church will be open from 5pm to 8 pm each Saturday and Sunday during the month of September. FAI petitions can be signed at the church while visiting.

Exhibitions in Lucca

Exhibition in Lucca

Immagini del suono (images of Sound)
A series of visual experience to accompany the Summer Festival pop concets. All shows are free.

VILLA BOTTINI
Immagini che suonano bene (great sounding images). Upstairs: photos, paintings, drawings, rock’n roll portraits, installations by Lou Reed, David Byrne, Patti Smith, Anton Corbijn etc.
Downstairs: videos.
Reckless Road Marc Canter’s photos of Guns N’Roses.
Open tuesday to sunday 10.00-13.00 and 16.00-19.00 till 29 August.

MUSEO VILLA GUINIGI (the Casermetta)
Via della Quarquonia, 4 tel. 0583 496033.
Love me Fender
Photos, drawings, memorabilia dedicated to Fender guitar. Open tuesday to sunday 10.00-13.00 and 16.00-19.00, till 29 August

GALLERIA 38  Via del Battistero
Wonderful Tonight photographic exhibition.
Shots of the Beatles in India, Jeff Beck, Rolling Stones etc. taken by Pattie Boyd. Open monday to saturday 10.00-13.00 and 16.00 to 19.30, till 29 August.

PALAZZO GUINIGI
Divas: fro the Dolce Vita to the latest scoop photos from a lifetime’s work by Rino Barillari the King of Paparazzi. Open monday to thursday 10.00-13.00 and 17.00-20.00; same hours and also 21.00-23.00 on friday, saturday, sunday. Till 22 August.

Lu.C.C.A Lucca center of Contemporary Art, Via della Fratta 36.
Steve Mc Curry and Pieatro Gilardi Time after Time. Giuliano Ghelli Le vie del tempo. Otto minuti al sole, un minuto dalla luna. Videoart. Closed mondays. Till 5 September.

VIAREGGIO
Centro Matteucci per l’Arte Moderna
Da Fattori a Casorati. Capolavori dalla collezione Ojetti. Experts have meticulously re-assembled the 19th and 20th century Italian masterpiece collection dispersed when the Florentine home of the writer and art critic Ugo Ojetti was turned into a Hotel. Tuesday – saturday 15.30-19.30 Sunday 14.30-20.00 Closed Mondays. Till 12 September.